Pompeii and Art

In one respect there is an essential difference between the remains of Pompeii and those of the large and famous cities of antiquity, as Rome or Athens, which have associated with them the familiar names of historical characters. Mars' Hill is clothed 'vith human interest, if for no other reason, because of its relation to the work of the Apostle Paul; while the Roman Forum and the Palatine, barren as they seem to-day, teem with life as there rise before the mind's eye the scenes presented in the pages of classical writers. But the Campanian city pia yed an unimportant part in contemporary history; the name of not a single great Porn peian is recorded. The ruins, deprived of the interest arising from historical associations, must be interpreted with little help from literary sources, and repeopled with aggregate rather than individual life. It was at first proposed to place at the end of the book a series of bibliographical notes on the different chapters, giving references to the more important treatises and articles dealing with the matters presented. But on fuller consideration it seemed unnecessary thus to add to the bulk of the volume; those who are interested in the study